Dynamics and Arranging

Paul Baloche highlights the importance of dynamics and arranging in this episode of his Worship Band Workshop. He defines dynamics as the "energy range" of the song, which often peaks at the chorus and rescinds at the verses and bridges. The challenge for the worship leader is to play expressively and precisely so that these changes in energy are distinctive and effective. In relation to timing, however, Baloche makes it clear that changes in dynamics should never change timing. The "steel rod" that is the timing of a song remains firm and steady amidst changes in dynamics. Baloche also makes an interesting point about "restraint". Often times, each member of the band has to demonstrate this so that one person/instrument doesn't dominate the song, but rather there is a cohesive flow to it.

Dynamics is like telling a story. I like how Baloche uses the analogy of a mountain, but I'd even go as far as comparing dynamics to a plot hill. Perhaps the beginning of the song is like the first chapter of a story; the scene is set, the groundwork is laid, the energy is low with expectation of what's to come. The pre-chorus is where the action rises. The conflict of the story builds and we near the peak of excitement, but are not there just yet. The chorus and maybe even the bridge are like the climax. Energy is at the high and we've reached what we've been anticipating. As worship leaders, we have the power to tell a story through our playing, particularly through dynamics. What kind of story will we choose to tell?

Comments

  1. VCS Conservatory - Reggie CoatesDecember 3, 2020 at 2:26 PM

    I like that...it's like telling a story. Worship leading is like telling a story! Thank you. ~ Mr. Coates

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